Frankmusik Complete Me Acoustic
. 'In Step'/'Done Done'Released: 2 June 2008. 'Released: 23 November 2008. 'Released: 12 April 2009.
'Released: 19 July 2009Professional ratingsAggregate scoresSourceRating(62/100)Review scoresSourceRating(mixed)(8/10)(2/10)(positive)(1/10)Complete Me is the debut studio album by English recording artist. It was released in the United Kingdom on 3 August 2009.
A deluxe edition, released on the same day in both and formats, included a bonus CD titled 'Re-Complete Me', containing the full album remixed and re-edited by Frankmusik himself into one continuous 38-minute DJ set. An version of the album titled Completely Me was released digitally on 6 December 2009.
Frankmusik. Price4:2014.' Olivia' (hidden track; added onto the end of track 13)TurnerFrankmusik3:32UK iTunes bonus tracksNo.TitleWriter(s)Length14.' My Mind'Turner3:5415.'
3 Little Words' (video)2:5916.' Better Off as 2' (video)3:04Deluxe edition bonus CD: Re-Complete MeNo.TitleLength1.' 3 Little Words'3:212.' In Step'3:483.'
Confusion Girl'3:274.' Better Off as 2'3:425.'
Italobrothers stamp albums. Wonder Woman'3:266.' Complete Me'3:287.' Gotta Boyfriend?'
Time Will Tell'3:229.' Your Boy'2:3410.' Done Done'3:0111.' Run Away from Trouble'4:10(.) denotes additional producer Notes.
'When You're Around' is an adaptation of ' by. 'Vacant Heart' contains elements from ' by.
'Time Will Tell' contains elements from ' by.Completely Me The acoustic version of the album, titled Completely Me, was released digitally on 6 December 2009 containing the same track listing as that of the standard album (except for 'When You're Around'), but each song was re-recorded and stripped down. As such, the running time for each song differs from the original release.No.TitleLength1.' In Step'3:392.'
Better Off as 2'2:503.' Gotta Boyfriend?' Confusion Girl'3:205.' Your Boy'2:426.' 3 Little Words'3:207.' Wonder Woman'2:508.'
Complete Me'3:049.' Vacant Heart'3:0710.' Time Will Tell'3:1211.' Done Done'3:4312.'
Run Away from Trouble'3:46Personnel. Retrieved 25 May 2011. O'Brien, Jon. Retrieved 25 May 2011.
Davies, Lucy (31 July 2009). Retrieved 25 May 2011. Zadeh, Joe (26 June 2009). Retrieved 4 August 2009. Perry, Kevin E.G. (6 August 2009).
Retrieved 9 August 2009. Sullivan, Caroline (31 July 2009). Retrieved 25 May 2011. Price, Simon (12 July 2009).
Retrieved 25 May 2011. Haider, Arwa (3 August 2009). Retrieved 4 August 2009. Cragg, Michael. Retrieved 4 August 2009. Chester, Tim (5 August 2009). Retrieved 13 August 2009.
(24 July 2009). Retrieved 24 July 2009. Retrieved 25 May 2011.
Frankmusik Complete Me Acoustic Music
Retrieved 25 May 2011. Retrieved 25 May 2011.
^. Retrieved 25 May 2011. 6 August 2009. Archived from on 16 November 2012. Retrieved 10 August 2009. Retrieved 25 May 2011. Retrieved 25 May 2011.
Retrieved 25 May 2011. Retrieved 25 May 2011.
(in German). Retrieved 25 May 2011.
Following in the footsteps of, '80s electro-pop revivalist is the latest struggling British act to gain an unlikely career reprieve by upping sticks to Los Angeles and signing with Interscope imprint Cherrytree Records. While this transatlantic deal may provide him with the mainstream breakthrough his 2009 debut, fully deserved, it's also unfortunately smoothed out all the rough edges that made him stand out from his nu-synth counterparts. Indeed, other than the robotic, -esque 'The Fear Inside,' and the bouncy, futuristic electro of opener 'We Collide,' his sophomore album, shows very little evidence of his former self-described 'Blade Runner pop' sound.
Disappointingly, it's a much slicker but ultimately formulaic affair which appears to tick every current, chart-friendly sound going, from the -style ballad ('No Champagne,' a duet with the aforementioned ), to the obligatory 'having fun in the club' party anthem (the -featuring title track), to the -esque repeat lyric, ad nauseum urban pop banger ('Blame It on Me'). It's not all bad news, though, as the showboating, falsetto vocals of its predecessor have wisely been toned down, while the summery R&B of 'No I.D.' And the shimmering acoustic disco-pop of 'Brake Lights' provide a welcome respite from the identikit and knock-offs, but these more inspired moments are few and far between. Has claimed that he 'didn't know what he was doing' on his first record, but considering it was a lot more edgier, charismatic, and inventive than this very ordinary follow-up, the phrase 'ignorance is bliss' has never been more apt.